第三部韦斯·安德森的片子,真的一如既往的妙趣横生啊!他的片子辨识度实在太高了,浓浓他的味道在电影到处都是,每个人物幼稚又严肃的样子真的在别人的电影很难找得到。本来下了下来先瞄一下开头以后再看,看了一下开头真的没办法停下来了,实在太有趣了,也可能自己有过类似经历吧,代入感真的很强,而里面的那个女老师真的好漂亮,换作谁也都无法自拨吧!
1.让我想起很多我不愿承认的回忆(试图掩盖父亲的职业,羞愧感,金钱的窘迫也有一点,无法控制的愤怒)跑无意义的社团活动,装作自己懂很多的样子,就是会做很多滑稽的事情,太细腻的被把握住讲述出来了,愚蠢的年少,永远用错地方的热情,但真诚热忱,而且拥有勇气,觉得自己能做成任何事。
2.我永远爱wes anderson,每个人物我都很喜欢,尤其是女性角色
3.亚洲小女孩好可爱
4.真诚又温柔的父亲角色让我落泪
5.我真的好爱这样的电影,就是轻轻柔柔的,没有角色会有让人害怕的攻击性,永远都是让我想大哭的温柔
Max从来就不是一个天才。
上课解答出世界上最难方程式,震惊全班这种事只能在梦里想想,他从来就不是那种成绩全级前十、身材高大、篮球吉他课外活动一个不差的天才少年。他只是,很可惜,一个会写点剧本的眼镜男,往往还不能兼顾学业。校长评论他是“全校最难搞的学生”,每天都有新想法:创办各种各样奇葩社团、建水族馆、批判拉丁文课程,没过多久又想法设法恢复原课….回头看看,每一件事都见不到大成就,反而耗去了Max所有的精力,甚至令他被学校劝退。但Max还年轻,大家都原谅了他的冲动,把它归咎于年轻人的激情热血。我觉得这就是韦斯.安德森在《青春年少》里传达的青春观:青春就是一段时间,你有无数想法和计划,每一个看上去都那么诱人,让你心甘情愿为其奔波,哪怕早已超出能力范围。在青春,每个人都觉得自己是天才,或者说,天才只在青春年少。
在Max所有青春式的冲动中,对教师Cross暗生情愫【1】可能是最轰轰烈烈也最荒唐的一段吧。Max比同龄人早熟,名片、西装都能看出他希望被当做成年人对待;向成年女教师示爱,更者
Wes Anderson is known for making independent-type stylistic films which mix poignancy and dry humor. Anderson’s films, visually, often make use of close-ups, quick pans, and slow motion shots. He often uses folk and early rock as the background-music in scenes. His often damaged characters are viewed in a compassionate light. The depiction of escapism and companionship through chemicals seems to be one of his trademarks also. In each of his films, one or more of the main characters smokes cigarettes or marijuana, excessively drinks, takes pills, etc. Additionally, his films often feature a heavy-smoking female character. A recurring character in Anderson's films is a respected middle aged male who is essentially a fraud. All of Anderson's films, with the exception of The Darjeeling Limited, end with slow motion sequences - although The Darjeeling Limited's third to last shot is in sl
极富创意的喜剧片 《青春年少》:韦斯·安德森电影中哀悼的重复与消解
转载请注明网址: https://www.4544yy.com/movie-id30765.html