No comments on NHS or any other health services in any country. I just want to say “f the world”, “f the rich”, “f success”. I mean, why the kindest nicest people always get hurted the most? Why the world is prepared for the selfish ones? Why the definition of “success” is exactly the same rubbish in any part of the world? Why people have to be rich to meet their parents’ expectations, and get respected by all their colleagues, friends, and even strangers?
我是先看的书再看的剧,书是朋友推荐的,一开始并不知道英语名字是This is going to hurt, 看中文译名觉得这书这个名字怎么会这么高的分数,看起来太逗比了。
书确实是一本很黄很搞笑的书,看的时候我还和朋友分享书里的段子,但却字里行间散发着社畜的心酸的一本书。
相比于书,我更喜欢剧(Adam看见我这么说可能会觉得offended)
书里,我能感受到Adam的心酸,但是我感受不到那种切实的疼痛感。
剧里,手术的细节,每一秒都让我感到无比的疼痛,当然这只是肉体上的,还有生理上的。
doctors in this country takes their own life every 3 weeks, and it should be a national fucking headline whenever it happens, and instead it’s just brushed under the carpet. doctors, nurses, midwives, pharmacists and physios, they don’t do this for money, for the kudos, for the anything. They do it bcs they care. Day in, day out, going the extra mile, to keep the rest of us on the road.
此剧极不适合在恐育的当代中国播放,这些妇产科血淋淋的镜头能让人窒息。此剧又极适合在医患矛盾不断激化的当代中国播放,它让你看到公立医院医生的被剥削,他们的无助和崩溃。没有豪言壮语,舍身为人。豪斯医生般的毒舌和冷酷,掩盖的是受伤和脆弱。英国果然是戏剧之乡,了了几场戏人物已精准立起。戏剧推动有人物,有事件,有环境,丰富而扎实。不依靠影像语言,也一样好看有嚼头。Ben的演出又是神剧的保障。从他的《香水》开始,就无法忘记这张可以讲任何故事的脸。本剧一度太黑暗,建议不要七集一次服下
前几年看Fleabag(《伦敦生活》)Uncle(《废柴舅舅》)The End of the F***ing World(《去他妈的世界》)的时候,只是在情绪上和主人公有朦胧的连接,就像烧高香散发出一根缥缈绵长的白烟,烟这头是我的肉手,烟那头并非明确特定的对象。同样打标“丧剧”,This Is Going to Hurt(《疼痛难免》)却让我有了轮廓更清晰的共情。原因在于我已不是学生,所有忧郁的对象,大多在现实生活中找到存在(或看起来现实的“替代”)。这是对剧的总体感受。以下,是对三个主人公的分别感受。
Shruti。
疼痛难免:影|2022开年第一神剧,笑着笑着就哭了
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